The TCPM international conference brings together researchers interested in artistic creativity and the study of processes of musical and sound creation of the past and present. Researchers working on this cluster of problems from a wide variety of disciplines (history, music analysis, psychology, philosophy, cognitive science, sociology, ethnomusicology, anthropology, dance, theatre, film, amongst others) are invited to assess the different methodologies developed in the last thirty years in their respective areas from an interdisciplinary perspective. Each approach contributes in its own way to the advancement of our understanding of the procedures, techniques, knowledge and know-how employed by musicians involved in creative projects.
Following the epistemological paradigm shifts that musicology underwent at the end of the last century, the notion of ‘creative process’ has been enriched. Sketch studies have extended their scope beyond notated works of art music. Today this field includes all contemporary musical repertories as well as the oral, technological and collaborative dimensions of the creative process in music. There is growing interest, for example, in the function of improvisation and of gesture in the creative process, in the collective and collaborative dimensions of artistic work, in the redefinition of the roles of the composer and the performer, or in the art of studio production and in the strategies of documentation, transmission and future performance of works involving technology. The complexity and the multidimensionality of this field of study require new analytical tools and new research methods at the crossroads of analytical musicology, the social science and humanities and other academic disciplines.
This broadening of the field also provides a new context for the study of works and composers from the Western musical canon. Whether based on historical archives or on the collection of empirical data, studies of the creative process in music share many of the same methodological requirements, descriptive vocabulary and models of creative action. This conference therefore aims to be a forum in which the most recent findings from a broad range of research agendas can be presented, discussed, and assembled.
The conference registration, as well as most of the conference, takes place in Oastler Building at the University of Huddersfield.
Here is a campus map. Oastler Building, numbered 37, is adjacent to the roundabout at the bottom-left edge of the campus.
The Queensgate campus of the University of Huddersfield is here: https://goo.gl/maps/xgzu6nXAksH2
It is a short walk from the train station (12 minutes) and from the town centre (10 minutes). Coming from the town centre you will typically arrive from Queen Street (facing St Pauls Hall - number 26) or Zetland Street (facing the Main Reception - number 01). Walk to the mini-roundabout facing Main Reception (01), then walk along Creative Arts Building (31), and arrive at Oastler Building (37).
Reception will be open from 9.00 am (Thursday) and 08.30 am (Friday, Saturday) at the main entrance of Oastler Building.